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Our connect the classes
The human voice consists of sound made by a human being using the vocal folds for talking, singing, laughing, crying, screaming, etc. Human voice is specifically that part of human sound production in which the vocal folds (vocal cords) are the primary sound source. Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx, and the articulators. The lung (the pump) must produce adequate airflow and air pressure to vibrate vocal folds (this air pressure is the fuel of the voice). The vocal folds (vocal cords) are a vibrating valve that chops up the airflow from the lungs into audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to ‘fine tune’ pitch and tone. The articulators (the parts of the vocal tract above the larynx consisting of tongue, cheek, lips, etc.) articulate and filter the sound emanating from the larynx and to some degree can interact with the laryngeal airflow to strengthen it or weaken it as a sound source.
The vocal folds, in combination with the articulators, are capable of producing highly intricate arrays of sound. The tone of voice may be modulated to suggest emotions such as anger, surprise, or happiness. Singers use the human voice as an instrument for creating music.
Duration: 1 Hour (Weekly Twice**)
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**Fri 5.30 PM to 06.30 PM,
Satu 05.30 PM to 06.30 PM &
Sun 09.00 AM to 10.00 PM
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Class Timings:
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Weekdays : Class Commences at 05.00 PM onwards and finishes at 08.00 PM
Weekend : Class Commences at 8.00 AM onwards and finishes at 012.00 PM
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The human voice consists of sound made by a human being using the vocal folds for talking, singing, laughing, crying, screaming, etc. Human voice is specifically that part of human sound production in which the vocal folds (vocal cords) are the primary sound source. Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx, and the articulators. The lung (the pump) must produce adequate airflow and air pressure to vibrate vocal folds (this air pressure is the fuel of the voice). The vocal folds (vocal cords) are a vibrating valve that chops up the airflow from the lungs into audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to ‘fine tune’ pitch and tone. The articulators (the parts of the vocal tract above the larynx consisting of tongue, cheek, lips, etc.) articulate and filter the sound emanating from the larynx and to some degree can interact with the laryngeal airflow to strengthen it or weaken it as a sound source.
The vocal folds, in combination with the articulators, are capable of producing highly intricate arrays of sound. The tone of voice may be modulated to suggest emotions such as anger, surprise, or happiness. Singers use the human voice as an instrument for creating music.
Duration: 1 Hour (Weekly Twice**)
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**Fri 5.30 PM to 06.30 PM,
Satu 05.30 PM to 06.30 PM &
Sun 09.00 AM to 10.00 PM
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Class Timings:
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Weekdays : Class Commences at 05.00 PM onwards and finishes at 08.00 PM
Weekend : Class Commences at 8.00 AM onwards and finishes at 012.00 PM
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A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument, particularly the piano. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Depressing a key on the keyboard causes the instrument to produce sounds, either by mechanically striking a string or tine (piano, electric piano, clavichord); plucking a string (harpsichord); causing air to flow through a pipe (organ); or strike a bell (carillon). On electric and electronic keyboards, depressing a key connects a circuit (Hammond organ, digital piano, synthesizer). Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the "piano keyboard".
We are teaching two different Styles:
1. Carnatic
2. Western
Duration: 1 Hour (Weekly Twice**)
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** (Mon & Thur, Tues & Fri, Wed & Satu, Satu & Sun)
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Class Timings:
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Weekdays : Class Commences at 5.00 PM onwards and finishes at 08.00 PM
Weekend : Class Commences at 8.00 AM onwards and finishes at 12.00 PM
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Examination:
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1. Western - International Certification Examination conducted by Trinity College of London
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Bharathanatyam (Tamil: ) is a classical Indian dance form originating in Tamil Nadu, India. One of the oldest of the classical dance forms in India, it is also known as the fifth Veda. Bharatanatyam is usually accompanied by the classical music. It has its inspirations from the sculptures of the ancient temple of Chidambaram. Bharatanatyam, as the name depicts is the combination of:
BHA- Bhava (Expression), RA- Raga (Music) and TA- Tala (Rhythm) Bharatanatyam is a traditional dance-form known for its grace, purity, tenderness, and sculpturesque poses. Today, it is one of the most popular and widely performed dance styles and is practiced by many dancers all over the world.
Duration: 1 Hour (Weekly Twice**)
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** Satu 5.30 PM to 06.30 PM & Sun 10.00 AM to 11.00 AM
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Class Timings:
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Weekdays : Class Commences at 5.00 PM onwards and finishes at 08.00 PM
Weekend : Class Commences at 8.00 AM onwards and finishes at 12.00 PM
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The drum is a member of the percussion group of music instruments, technically classified as the membranous. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a drumstick, to produce sound. Other techniques have been used to cause drums to make sound, such as the "Thumb roll". Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Most drums are considered "untuned instruments", however many modern musicians are beginning to tune drums to songs; Terry Bozzio has constructed a kit using diatonic and chromatically tuned drums. A few types of drums such as timpani are always tuned to a certain pitch. Often, several drums are arranged together to create a drum kit.
Duration: 1 Hour (Weekly Twice**)
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** (Tuesday & Sunday, Tuesday & Friday, Thursday & Sunday)
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Class Timings:
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Weekdays : Class Commences at 05.00 PM onwards and finishes at 8.00 PM
Weekend : Class Commences at 10.00 AM onwards and finishes at 12.00 PM
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Examination:
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1. International Certification Examination conducted by Trinity College of Lo
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The guitar is a musical instrument of the chordophone family, being a stringed instrument played by plucking, either with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel strings. Some modern guitars are made of polycarbonate materials. Guitars are made and repaired by luthiers. There are two primary families of guitars: acoustic and electric.
Duration: 1 Hour (Weekly Twice**)
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** (fri & Thur, Fri& Sunday)**
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Class Timings:
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Weekdays : Class Commences at 5.00 PM onwards and finishes at 08.00 PM
Weekend : Class Commences at 8.00 AM onwards and finishes at 12.00 PM
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Examination:
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1. International Certification Examination conducted by TrinitCollege of London
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Hindustani Classical is the Hindustani or erstwhile North Indian style of Indian classical music. Originating in the Vedic period, it is a tradition that has been evolving from the 12th century AD, in what is now northern India, Bangladesh, and Pakistan, and also Nepal and Afghanistan, and is today one of the two parts of Indian classical music, with the other one being Carnatic music, which represents the music of South India.
Duration: 1 Hour (Weekly Twice**)
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** (fri & Thur, Fri& Sunday)**
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Class Timings:
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Weekdays : Class Commences at 5.00 PM onwards and finishes at 08.00 PM
Weekend : Class Commences at 8.00 AM onwards and finishes at 12.00 PM
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Examination:
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1. International Certification Examination conducted by TrinitCollege of London
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Country/western dance, also called Country and Western dance, encompasses many dance forms or styles, which are typically danced to country-western music, and which are stylistically associated with American country and/or western traditions. Many of these dances were "tried and true" dance steps that had been "put aside" for many years, and became popular under the name(s) "country-western", "cowboy", or "country". Country dancing is also known as "kicker dancing" in Texas.
Duration: 1 Hour (Weekly Twice**)
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** wed 6.00pm & Sun 11.00 AM to 12.00PM
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Class Timings:
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Weekdays : Class Commences at 05.00 PM onwards and finishes at 08.00 PM
Weekend : Class Commences at 8.00 AM onwards and finishes at 12.00 PM
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Examination:
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1. International Certification Examination conducted by TrinitCollege of London
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Tala (Sanskrit tāla, literally a "clap") is the term used in Indian classical music for the rhythmic pattern of any composition and for the entire subject of rhythm, roughly corresponding to metre in Western music, though closer conceptual equivalents are to be found in other Asian classical systems such as the notion of usul in the theory of Ottoman/Turkish music.
A tala is a rhythmic cycle of beats with an ebb and flow of various types of intonations resounded on a percussive instrument. Each such pattern has its own name. Indian classical music has complex, all-embracing rules for the elaboration of possible patterns, though in practice a few talas are very common while others are rare. The most common tala in Hindustani classical music is Teental, a cycle of four measures of four beats each.
The tala does not have a fixed tempo but can be played at different speeds. In Hindustani classical music a typical recital of a raga falls into two or three parts categorized by the tempo of the music - Vilambit laya (Slow tempo), Madhya laya (Medium tempo) and Drut laya (Fast tempo). But, although the tempo changes, the fundamental rhythm does not.
Each repeated cycle of a tala is called an avartan. A tala does not necessarily have evenly divided sections (vibhagas).
The most common instrument for keeping rhythm in Hindustani music is the tabla, while in Carnatic music, it is the mridangam. Vocalists sometimes mark the tala by tapping their laps with their palm, while instrumentalists mark the tala by tapping their feet.
Duration: 1 Hour (Weekly Twice**)
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** Thu 6.00PM & Fri 05.00 PM to 8.00PM
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Class Timings:
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Weekdays : Class Commences at 05.00 PM onwards and finishes at 08.00 PM
Weekend : Class Commences at 8.00 AM onwards and finishes at 12.00 PM
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Examination:
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1. International Certification Examination conducted by TrinitCollege of London
|
Tala (Sanskrit tāla, literally a "clap") is the term used in Indian classical music for the rhythmic pattern of any composition and for the entire subject of rhythm, roughly corresponding to metre in Western music, though closer conceptual equivalents are to be found in other Asian classical systems such as the notion of usul in the theory of Ottoman/Turkish music.
A tala is a rhythmic cycle of beats with an ebb and flow of various types of intonations resounded on a percussive instrument. Each such pattern has its own name. Indian classical music has complex, all-embracing rules for the elaboration of possible patterns, though in practice a few talas are very common while others are rare. The most common tala in Hindustani classical music is Teental, a cycle of four measures of four beats each.
The tala does not have a fixed tempo but can be played at different speeds. In Hindustani classical music a typical recital of a raga falls into two or three parts categorized by the tempo of the music - Vilambit laya (Slow tempo), Madhya laya (Medium tempo) and Drut laya (Fast tempo). But, although the tempo changes, the fundamental rhythm does not.
Each repeated cycle of a tala is called an avartan. A tala does not necessarily have evenly divided sections (vibhagas).
The most common instrument for keeping rhythm in Hindustani music is the tabla, while in Carnatic music, it is the mridangam. Vocalists sometimes mark the tala by tapping their laps with their palm, while instrumentalists mark the tala by tapping their feet.
Duration: 1 Hour (Weekly Twice**)
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** Thu 6.00PM & Fri 05.00 PM to 8.00PM
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Class Timings:
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Weekdays : Class Commences at 05.00 PM onwards and finishes at 08.00 PM
Weekend : Class Commences at 8.00 AM onwards and finishes at 12.00 PM
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Examination:
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1. International Certification Examination conducted by TrinitCollege of London
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Summer classes |
Classes |
Drums, Guitar, Keyboard,
Cassical dance, Western dance, vocal, violin, veena, tabla, mirudhangam,
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Duration |
1 Month & 2 Month |
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